A stunning view of Susie Shaw taken by Harrison Marks laying on a carpet in his flat and published in Kamera No.48 P33 (1962). There are five shots of Susie in this edition, either on the carpet such as this one, or posing in the kitchen. I even have one of the original negatives from this set, which I will post at a later date. Susie is a new GHM model to me, but she sure had a fine figure and bosom on her!
Angela Duncan – The Bare Cheek Of It!
I just love this shot of Angela Duncan posing on that fluffy rug from the ‘Fluffy Bunny‘ set in front of the fireplace as she teases us with more than those big tits. This shot is more of a cheeky rear shot, showing off her gorgeous big bum more than her tits, but who am I to complain, as it’s an equally good view.
Sylvana Manto – Tanned & Topless!

A topless view of a younger Sylvana Manto (Madelaine Bannister) from the late 1950s. Classical hair and make-up and a very rounded pair of boobs on display.
Erica – Kamera No.36 Cover (1960)
The cover of Kamera No.36 (1960) featuring one of my big busted favourites, Erica. This comes from a scan of my own copy from my growing collection of Kamera magazines. It needed very little doing to it, apart from a tweak to the colours, as this copy is in near perfect condition for its age, with the cover only slightly faded.
A Superimposed Sylvana (1958)

A great shot of Sylvana Manto and her voluptuous figure superimposed on a second photo of a beach scene. This appeared in Kamera No.9 P21 (1958) and was one of ont a handful of images of Sylvana appearing for Harrison Marks in Kamera. GHM was also prone to using his models superimposed on beach or sky backgrounds, but thankfully he didn’t do it too often.
Virginia Green Amongst The Props!
An unusual shot from an original negative of Virginia Green by Harrison Marks. This has Virginia posing amongst some very familiar props that have appeared numerous times in other shots by GHM. The more important question about this shot is, whose hand is that in the top right of the shot? Obviously helping with the lighting it’s a female hand with well manicured nails, so possibly Pamela Green helping out?
Not the most obvious shot to buy or post, but I loved it for the fact it has Virginia Green all smooth and uncensored, all the different props in it, I can identify and of course the hand! Finally, I’m not sure what that is that Virginia Green is barely wearing, but was it worth it?
The cropped version of this shot of Virginia appears in Solo No.15 P27 (1960)







