Someone reminded me today that I hadn’t posted a shot recently of the stunning Velma Loftus, so here is a new shot of her. Taken by Harrison Marks on the African set in 1967 it shows Velma posing topless in what looks like a leopard skin skirt sat on a leopard skin covered sofa. How much leopard skin can you have in one shot, as GHM obviously loved it in this shot! Although Velma does look rather good sat amongst all those spots. :)
Virginia Green: A Delicious Mirrored Beauty
The curved beauty of Virginia Green by Harrison Marks as she poses on the dressing room set. This shot scanned from the original negative was published back in Kamera No.29 P5 (1960), but was cropped much tighter than this version and also slightly censored for publication. I prefer my wider cropped version, as you get to see the back of Virginia in the reflection of the mirror. Although the front view of Virginia is rather nice as well, and I love her perfect hourglass figure with slender waist and curved hips, a delicious view of Virginia!
Vivienne Warren: Plenty on View!
A cheeky rearview of the second Mrs Harrison Marks, Vivienne Warren posing for GHM in his flat. Plenty on view here, especially Vivienne’s rather nice rear, but also plenty of stills on the wall in the background from films that GHM made and appeared in with his mate Stuart Samuels, but can you name them? I also see a delightful shot of Ann Walker above Vivienne’s head. :)
Joni From Across The Pond
The beautiful 1970s US model Joni North photographed by Howard Roark. A wonderful smile and a wonderful side shot of her pendulous boob and this comes from a small set of contact sheets in my collection featuring 10 sheets and 68 images of Joni in various poses. As with most 1970s glamour shots she goes on to show her full slender figure in much more provocative poses, all worthy of posting here in due course. :)
Li Wing: Coloured Creation


This has to be one of my best and favourite coloured creations. Li Wing taken by Harrison Marks on the Egyptian set in 1969. Skin colouring and tones are so difficult to accurately colour, especially on models with colour. Throw in coloured jewellery, and it’s a real challenge, which is why like this conversion, as I think I got both pretty spot on.









