Dedicated to the published work of Harrison Marks & other prominent photographers of the 1950's, 60's and early 70's. Along with popular glamour models such as June Palmer, Pamela Green, Dawn Grayson and others
Merle Henry by Harrison Marks posing in his living room. A beautiful sculpted pose from her as she kneels showing of her slender form. One of my better shots of Merle and I’ve always wondered if she was English or where she came from as there is something about her look and colouring. :)
A beautiful colour shot of Jutka Goz by Harrison Marks. Posing on what looks to be a cave set full of treasure, we get to see a great side profile of Jutka’s figure. The pirate in the background is Stuart Samuels, long time friend and assistant to Harrison Marks. A stunning, colourful view! :)
An original shot of an unknown model taken by Harrison Marks in the studio showing off her fabulous body. I love the smoothness of her body and the way the light reflects off it, showing all the bumps and curves of her slender body. At first I thought this was Marina Jones, but I’m not so sure, as she tended to have a natural pussy rather than shaven. Plus there is a model that looks very similar to her in body shape and tits size, so think this is her?
I love finding memorabilia connected to Harrison Marks and others, be it postcards, prints, magazine articles and catalogues. In this case it’s a 4-page leaflet advertising four Kamera Cine Films under the heading Favourites of the Pharaohs, featuring 6 models, although I’ve counted more! From top left going clockwise, the films and models are:
Episode 1, No.77 – The Bath, featuring Tina McGowan and Danielle Denise
Episode 2, No.78 – The Dance, featuring Danielle Denise, Penny Winters and Laya
Episode 3, No.79 – The Slave Market, featuring Hyldagarde (Hilde Beck)
Episode 4, No.80 – The Mummy, featuring Teri Martine and Tina McGowan
The special offer of an exclusive colour film of Sanda is of course Sandra Cassano. A fabulous colour leaflet to add to my growing collection of vintage catalogues.
Another beautiful shot of Annlyse posing on a black background for Harrison Marks from an original medium format negative. A great shot of Annylse in the studio, and I do like the shots GHM took using a black background and lighting highlighting all the right bits!
A very blonde looking Paula Page posing on the side of Harrison Marks’ motorboat ‘Pyewacket’. It looked like a lovely day for messing about in the water and Paula looks to be using those big tits of hers as great buoyancy aids.
I would say another still taken at the same time they filmed the black and white 8mm Glamour film No.104 ‘Nautical Nudes’
A stunning view of Oriental model Lan Fah Lee by Harrison Marks, taken circa 1958. She appears sporadically through early Kamera editions and once in Kamera Special No.2 (1958). This is from a silver gelatin print and a superb shot of her and one of the best I have seen. Love the way she pushes those tits up between her arms and is used to good effect by many models, but don’t think they need much help or support. :)
After my post about Eva Nieman and ‘The Amorous Masseur’ I found an original still from the other Harrison Marks Glamour Film ‘The Amorous Masseuse’ in my collection, but I didn’t realize it was from that film until now. This film featured Yvonne Paul (left) and Toni Lee (right) and was again produced in a black and white version and a Super 8 colour version from Ekstase film No. E 317 titled Die Liebesvolle Masseuse.
I love Yvonne in this shot with her very 1960s hairstyle and wearing suspender belt and black stockings, showing off that beautiful full bush.
The beautiful Erica by Harrison Marks as she poses in the studio. Several similar images of Erica posing upright against the box in this picture appeared in Solo No.9 (1959). A simple but stunning shot of the shape and lines of Erica and her magnificent figure and ample chest. :)
Rosalie Peters on the village set at Lily Place and another rare shot of her without the blonde wig. The censored version of this shot appeared in Kamera No.81 P44 (1967) and is one of two shots of her in this edition, but this is a fuller body shot. This version that comes direct from the negative obviously shows the completely uncensored version, with Rosalie showing off a very fine covering of recently grown hair over her very neat and tidy mound. An obvious appendix scar is more visible in this version as well.
The Kamera Club 