I’m not quite sure what’s going on in this front room, but I’d find it very hard to concentrate on doing anything, let alone a jigsaw puzzle with these two looking like this! The blonde is obviously Gerry Brown, and not afraid to open up for the shot. The second, more modest model looks familiar, but I can’t name her, unless anyone else can help. A beautiful front room with plenty on view indoors and out and loving the Art Deco coffee table!
Sylvia McFarland – Full Bodied Beauty
A pleasant diversion from the norm in the shape of Sylvia McFarland, another of my favourite ebony beauties from the 1970s, with the most massive set of boobs on her! Sylvia and Roberta Pedon must be two of my favourite really big-titled models from the 70s! There are lots of images out there of Sylvia, some of which don’t show off her assets or her in the best light, but this shot is one of the better ones. I also have a second shot from this set, at a much wider angle where you get to see Sylvia’s full on glorious thick bush, that is hinted at in this shot.
Two Additional Charm’s (1955)
Sent through by Terry, two pages from Charm No.25 (1955) starring a small breasted blonde model. As Terry explains, “I was having a bit of a clear out last weekend when I came across my old copy of “Charm” magazine no. 25, published around 1955 or 1956. It cost the princely sum of 1/6d (75p in modern currency) and the only reason I kept it all these years, is because in it are the first two nudes that I ever had published, I guess I was around 18 or 19 at the time.” Two stunning shots and worthy of sharing, just to see the first published shots from Terry that set him on a path of glamour photography. Thanks Terry and the model looks familiar, but can’t quite name her?
Sorry for the lack of posts recently, but sometimes life conspires against you and you have to focus on the important things!
June Palmer – Rocks & Crevices!
Another scanned print of a nude June posing amongst the rocks on location, this time wearing what looks to be a short wig. A perfect shot of her curved hips in this pose and just a hint of her own crevice on view :)
Sorry for the lack of posts recently, but sometimes life conspires against you and you have to focus on the important things!
An Unknown Different View!
I haven’t got a clue who this 1960’s model is, but I just loved the composition of the shot so thought I’d share it! I’m still trying to work out the angle of this shot and if she’s on the sofa or floor, but the lighting and angle really make the shot. The eyes looking up at the camera as you look down her naked body catching a glimpse of her hard nipples and is that her pussy we see or shadows? A perfect perk me up for a Monday morning :)
Christine Carter – A Perched Pose!
The lovely Christine Carter (Tina Graham) posing perched on the arm of an armchair with a skimpy négligée dropped round her waist, exposing her figure and boobs. Interestingly, there seems to be a couple of reel to reel recorders/players on the floor in the background, so I wonder what was happening in this front room with Chris!
2000th Post!
I didn’t realize on Friday when I posted ‘Wendy’s Wily Ways!‘, that it was my 2000th post on the Kamera Club site. The first post was on 3rd March 2013, so the site has been running 2 years, 4 months and 14 days or 866 days! That works out at 2.3 posts a day since it’s been running.
An awful lot has happened in that time on the site, so many thanks to all of you for the image contributions, knowledge and comments over the last 866 days :)
June on Red (Original)
June Palmer in a kneeling nude pose from the 1960’s and taken at Scotlee Studio. This comes from a set of six 35mm slides of June from Scotlee Films that I recently purchased and scanned. As is typical with slides from back then, it had a red hue to it, but came up very well after a bit of tweaking and shows off June’s curves.
Note: This is an image from an original negative and subject to this copyright notice, but can be individually shared as long as the image remains unaltered and this website is acknowledged as the source.















