Dedicated to the published work of Harrison Marks & other prominent photographers of the 1950's, 60's and early 70's. Along with popular glamour models such as June Palmer, Pamela Green, Dawn Grayson and others
Julie (Shearing) from another colour 35 mm Pamar Slide by Harrison Marks. This time kneeling on multiple coloured sheets nude, apart from holding some pearls and wearing the big dangly blue grape like earrings. Thanks to Kevin for sending this stunner over. :)
A very happy looking Julie Shearing, leaning back on a chair and posing for Harrison Marks. This comes from an original silver gelatin photo taken in the late 1950s of Julie posing at a dressing table in just fishnet stockings. The familiar daisy wallpaper is present, as are the trademark big dangly earrings that Julie seemed to always favour. A very interactive shot of Julie showing off her great body.
I original published a version of this shot of Julie (Shearing) from Solo No.4 P13 (1958) here as it was such a good shot. Well now I have a copy of the original negative scan giving much more clarity. What made this shot so stunning was the view of that perfectly peachy arse and the way her hips glide into her hourglass waist, which is only highlighted more in this shot, as if you look closely in the larger version for members you can even see the fine hairs on her back and that arse, making it even more peachy! Another interesting point is in the original the heel of her fishnet has a hole in it, but the magazine version has been fixed and not quite sure how they did that back then!
A stunning version of Julie and her peachy arse :)
A stunning colour shot of Julie Shearing by Harrison Marks. This time a frontal view of Julie posing in front of the familiar floral wallpaper, but still showing off her perfect body and a hint of more.
The colour adds much more to this shot as you get to see more definition in the dangly earrings and wallpaper with colour added. You also get a hint of Julies thick lush bush, but only partly which is a shame, but teases us of more :)
Another visually stunning shot of the seductive Julie (Shearing) from Solo No.4 P13 (1958) by Harrison Marks. This time a rear view of Julie looking over her shoulder wearing just fishnet stockings and of course her trademark big dangly earrings. What makes this shot so stunning is the view of that perfectly peachy arse and the way her hips glide into her hourglass waist.
Some technical information for the photographers of us out there. This was taken on a Rollei Tessar 3.5 on Weston Film 200 with an exposure of a 10th at f14. Lighting was via a 2000 watts Tungsten light according to the information on the page right under Julies bum :)
Another visually stunning shot of the seductive Julie (Shearing) from Solo No.4 P8 (1958) by Harrison Marks. This time she is kneeling nude on a sheepskin rug with her hair up, but the trademark big dangly earrings are still there :)
I’m having a bit of a Solo session if you hadn’t guessed!
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Julie (Shearing) covering her lower region with a towel from an image from Solo No.4 P14 (1958) by Harrison Marks and totally dedicated to images of Julie. We know from previous uncensored images of Julie here, that the towel had plenty to cover!
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Another visually stunning shot of the seductive Julie (Shearing) from Solo No.4 (1958) by Harrison Marks. There is something about the make-up and highlights in the hair that give her a Cruella de Vil sort of look :)
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The visually stunning and equally seductive Julie (Shearing) from Solo No.4 (1958) by Harrison Marks. Julie has to be one of the most exotic looking models that posed for GHM, even though she originated from London and this set of her is no exception. I love the use of the fishing net and once again she’s wearing a set of big earrings, which seems to be part of her signature look. Shots from this same set also appeared in later GHM publications such as Kamera no.7 and Kamera No.40.
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Another Harrison Marks model that seems to favour big dangly ones (Earrings) is Julie Shearing, as seen in this original print of her from Oxxbridge again. A different angled shot this time, as she leans back against the flora wallpaper giving us a side profile of her earrings and body. What is also visible are the streaks in her hair, that she seems to favour in most shots I’ve seen of her. They look good, but tend to make her look older than she was and give her a Cruella de Vil type of look, but not so obvious!
Note: This image is scanned from an original print and subject to this copyright notice
The Kamera Club 