June Palmer: Alluring Alleyway View


Two shots from a set of 35 mm negatives featuring June Palmer in the Alleyway, wearing a leotard. I originally published these separately several years ago, but these are better copies.

I love the pose from June in the leotard as she leans against the alley wall, with a buxom bosom showing, but I’m also sadly intrigued by the location and where this was taken. I wonder if it was taken near Strobe studio’s in Clapham and as you look back up through the alley you see a woman walking past what I think is a sign for Midland Bank?

Sylvia Bayo: Contrasting Views!


Another shot of Sylvia Bayo from Nylon Flash No.19, of Sylvia and friend stripping out of their underwear. The contrast of Sylvia in white panties against the other model in black panties works perfectly. The opposing underwear colours and skin tones highlight the assets of each other throughout and here they can be seen checking out each other’s tits and figures, but know which I prefer. Shame the magazine doesn’t go further than a topless strip with a flash of bum, as I’d love to have seen them comparing other parts together too! ;)

Sophia Dawn: Lost in Transit!


Sophia Dawn, taken by Harrison Marks on a railway track down in Cornwall. This time sat in a more artistic pose than the first, more natural shot of her here. It also looks like she’s trying to dry nail polish on her finger nails, but a very extreme and naked way of doing it!

Joan Brinkman: Fancy a Tipple?


1960’s US Model Joan Brinkman showing off her two very big assets! It seems these shots were part of a set that appeared in Showcase, Vol.2 No.2 (1962) with Joan as Gina Mayers. I can’t quite work out what drink it is coming from that fridge, but at a guess it could be cider?

All There With Doreen Pierre!


I’ve published several colour shots of a rather revealing Doreen Pierre before here, but never realized that she actually posed for Harrison Marks and appeared in Kamera. The above shot is one of her from a studio session with Marks, and 6 shots of her including this shot on page 40 appear in Kamera No.71 (1966). Unlike the more revealing colour shots I’ve published, this shot although uncensored shows a very neat, tidy and shaven Doreen down below, making it ever so easy for the retouchers when editing this shot for publication back then.

Jenny Lane: A Sofa Stunner!


Jenny Lane sat posing on the sofa for Harrison Marks at his flat, and one of the better shots I’ve seen of Jenny by GHM. I’ve said before she’s not the most attractive of models facially to look at, especially the mole over her lip, which is slightly obscured in this shot. But in this shot she looks good, maybe it’s the make-up, pose or position, but I like it and a great view of her figure and pussy as she sits there.

More Frills with Rita


Another superb shot of Rita Schondale scanned from an original strip of 35mm negatives. Taken on Tuesday 20th September 1966  at Jason Studios. A great pose as she supports herself leaning forward on a stool, showing off her tits and the fabulous frilly knickers she’s wearing. 

Ann Walker by Harrison Marks


Ann Walker posed for many UK photographers including GHM, Russell Gay and many others. She gave up modelling in the 1970s but stayed within the industry to become an agent for other models.

This is a great shot of Ann by GHM showing off her figure and mound perfectly :)

Sultry Sandra


Sandra Cassano (Isobella Cassano) by Harrison Marks on the Lantern Cottage/Beach set, showing off her sultry looks.

Sandra did three photo shoots with Harrison Marks, two in the studio as above and one at his London flat. Fifteen of the photographs were published, the first of them in Kamera No.74 (1966) and then in No.76 & No.77. The final shot also taken on the Lantern Cottage Set appears on the July page of the 1967 Kamera Calendar. She also appears in two of the newer colour slide sets produced by Harrison Marks, each containing 8 slides of her. Set No.65 features her on the beach set similar to above and set No.66 features her posing at GHM’s flat, similar to this shot.

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