All Aboard with Pamela Green! (Original)

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A restored colour shot from a Pamar slide of Pamela Green posing nude on a rowing boat on the Isles of Scilly in 1958. This shot along with a few other’s I have were taken by Harrison Marks as part of a shoot for his hardback book ‘Kamera on Location’. There are several different shots of Pam posing with this rowing boat within the book and all black and white, but these are the first I’ve seen in colour. Beautiful views in the background and foreground for all to see :)

Backstage with Pam, Mary & Madeleine (1959)


Two shots of Pamela Green, Mary Deighan and Madeleine Mado (Maria Hale) from Kamera Backstage (1959). Both shots are very elegantly done, with all 3 models fitting well into the same shot. My favourite is the top shot with Mary and Pam wearing the nipple covers or pasties, whatever they are called, and Madeleine in the background. The bottom shot is all about the use of light and shadows bouncing off the bodies of the 3 girls, and it works very well with the shape of the bodies and the different perspectives. One of my favourite early Kamera Specials. :)

Paula’s Plump Pair!

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An upfront image of 1960’s model Paula King giving us an eye watering view of her plumped up cleavage from the 1960’s Glamour book. That blouse is only just keeping them in!

June Simpson: Platinum Waves


With her typical 1950s wavy blonde hair, June Simpson was a regular feature in the early publications of Harrison Marks, appearing in Kamera No.2, 3, 8, 10, 11, 15, 16, 17, 18, 19, 20, 34 & 35, plus appearances in some of his other lesser known publications. She also had Solo No.5 devoted to her, as well as appearing on the cover and inside pages of Kamera Special No.1, along with appearances in Kamera Special No.2, No.3 and No.5.

The above image is an early shot of June by Harrison Marks from an original negative taken in the late 1950s, and features the familiar daisy wallpaper backdrop and leopardskin rug.

 

Eve Eden – Better As a Blonde? (Original)

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Eve Eden as a blonde! I actually quite like Eve as a blonde, although she was only blonde for a very short period before reverting back to her more natural look as a brunette. This shot was taken by Ed Alexander and comes from a complete set of 35mm negatives owned by Kevin, who has kindly sent over several images, including this one. The shots show Eve in an open blouse and white panties posing in what seems to be an abandoned/derelict building with corrugated roof, but who cares about the location when we have Eve looking like this!

Annette Johnson – A Right Fruity One! (1964)

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OK, I’ll openly admit that Annette Johnson isn’t one of my favourite models, but don’t ask me to explain why because I can’t really put a finger on why I don’t like her, I just don’t compared to others. Saying that the shots of her taken by Harrison Marks are some of the better ones I’ve seen of her, plus those by Ed Alexander and this shot is a good example. Taken by Harrison Marks outside Ewhurst Manor, this is one of four shots of her that appear in the hardback book ‘She Walks in Beauty’ (1964). All four shots are located in the grounds of Ewhurst, which is unusual in that nearly almost all of the photo’s in SWiB are taken on location down in Devon, apart from a small sub-set based at Ewhurst.

This shot is outside the front of Ewhurst, as you can see the driveway, but what is more bizarre about the shot, other than Annette’s pose, is the bowl of fruit on the ground in front of her! What’s that all about? It also looks like the retouchers had a field day hiding her nether region and did a poor job! Despite all of the above Annette doesn’t look too bad in the shot :)

Anna’s Fireside Strip!


Anna Verdi in four restored 35 mm slides of her doing a strip in front of a fire place. My favourites are the first two shots, as these give you a great front and back view of Anna. Especially the second shot of her lovely round arse as she drops her knickers, also loving the leopard skin patterned underwear and the tan stockings.

Jayne’s Little Black Number!

The start of a small set of 5 images of Jayne Tracey from my own 35 mm negative collection. This set has Jayne posing in a little black sheer négligée and has her sat in this comfy chair as well as posing at a dressing table in different poses. No nudity in these shots, as you can clearly see her black underwear below the sheer négligée. I suppose there may be later shots to this set where things come off to reveal more of Jayne, unfortunately I haven’t seen any! A great start to the set with this shot and captures the feel of a 1960s boudoir really well, with more to come soon and loving the silver shoes!

Shadowed Beauty – Kamera No.19 (1959)

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An unknown blonde beauty in two shots posing in front of a window frame from Kamera No.19 (1959). A stunning body, highlighted by the use of lighting and shadows I love the first shot of her and the way the shot shows off the curvy hips.  The second shot has a different focus using the shadows, we get to see the shape of her tits and view of her smooth shaven mons pubis. A perfect combination of pictures, but no idea on who this early GHM model is?

Teri Martine – It’s Not Always About Nudity (Original)

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Although this site is predominantly about glamour photography from the 1950’s, 60’s and 1970’s and features lots of naked or semi naked models, it’s not always about the nudity!

I also have a growing collection of images of the same models, posing with clothes or under garments on from the same period. A good example is this shot from another original negative of mine of Teri Martine. A simple studio shot of Teri posing for the camera in an off the shoulder negligee, with not a boob or bum in sight! Well almost, as you could say you can see the curve of a boob through the sheer fabric, but that doesn’t count in this shot! Regardless it’s still a great shot of Teri back in the 1960’s, showing off the style of that period.

 

Note: This is an original image and subject to this copyright notice, but can be individually shared as long as the image remains unaltered and this website is acknowledged as the source.

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