Dedicated to the published work of Harrison Marks & other prominent photographers of the 1950's, 60's and early 70's. Along with popular glamour models such as June Palmer, Pamela Green, Dawn Grayson and others
A great little shot of 1960s UK model Lilli Verdi by Terry Sparks. Posing topless by the window in short little black hot pants, Lilli looks fabulous as she leans against the wall, showing off those tan lined tits. The contrast of the black shorts, Lilli’s long dark hair and black beaded necklace hanging down between her tits all make for a great shot. :)
This stunning beauty is Marion Ross taken by Terry Sparks in the 1970s and a new model from the Terry archive. No date on when this and the other shots were taken, but I love this shot of Marion wearing her top and necklace but nothing on below, so we get to see a hint of her beautiful hairy pussy. You also get a glimpse of a guitar in the background that appears in other model shots taken by Terry. :)
Another sunny shot of Wendy Smith by Howard Roark from the 1970s, posing outdoors in a field. I love this set of her in a field amongst the hay. Flashing her big tits and showing off her hairy pussy through open denim shorts!
Another model from the Terry Sparks stable, this time Jo O’Brien, taken in August 1978. I have 72 images of Jo from 6 contact sheets, with her posing topless as in this shot, with the odd fuller exposure if you know what I mean! Although Jo only has a small pair on her, she did seem to possess larger, darker areola with nice rounded button nipples than some of the other models that posed for Terry.
Another treasure from Terry Sparks, this time in the shape of bushy babe Maria Edge. This striking shot of Maria was taken by Terry in December 1972 and shows off her slender figure and small tits to perfection, along with that very thick bush synonymous with 1970s models, not that I’m complaining.
This shot comes from a set of eight contact sheets featuring Maria in different locations and poses, but for some reason her face rather than her body stand out for me, as I’m sure I’ve seen her somewhere before? I have no idea where, but probably scanning through a copy of some men’s magazine in the past I’ve registered the face or body, and it stuck with me. Anyone recognize her?
A restored image of the bountiful Roberta Pedon by US photographer Howard Roark from a set of original contact sheets. As a Roberta fan, it doesn’t get much better than this shot of her, with her big hanging tits, slender figure and beautiful hairy pussy all on view!
A new shot from my collection of Sylvia McFarland images, and a different view of her and one I particularly like! This comes from a set of Sylvia posing in and on a retro style space like bunk bed.
I do love the pose in this shot, as you get to see her great assets, including those big tits and a full on view of that dark thick pussy. Members get to see a much larger image without the watermark, plus all the other images of her I’ve posted in her new gallery! ;)
Another shot from my collection of Sylvia McFarland images. This comes from a set of Sylvia posing on a rug in a living room setting. She has a very knowing look in this shot as she kneels there with her legs open, showing off her dark thick bush and big tits.
A few posts of my favourite models before the holidays and more stunning curves of Angela Duncan by Terry Sparks. Angela had curves in all the right places, as this pose of her shows. I just love her full figure and big tits and how sometimes she was shaven and others a full bush! :)
I have several sets of different models from the 1970s by Edmund Leja, Larry Caye and others that show sweet looking girls posing demurely dressed or topless at the start of the sets. But as the sets progress, it’s obvious these sweet young things aren’t as innocent as they look! So I thought I’d start a few posts of these sets entitle ‘Good Girls Gone Bad’ highlighting both the good and bad side of these girls!
First up is Kathy Willings by Edmund Leja, who looks very sweet and innocent in the first image, but soon shows her true colours and much more for the camera towards the end of the set.
The Kamera Club 