Exciting No.22: Front & Rear!


Continuing from my collection of Cover Girl & Exciting Magazines, the front, and rear cover of Exciting No.22 from 1968. The covers all follow a very similar pattern with the types of shots of the models, front view on the front cover, rearview on the back cover.

Maxine: All Curves


A very curvy view of Maxine (Ellis) by Harrison Marks and from Kamera No.11 P22 (1958). Look at the curve of those hips highlighted by the white background, plenty to hold on to. :)

Exciting No.8: Front & Rear!


Continuing from my collection of Cover Girl & Exciting Magazines, the front, and rear cover of Exciting No.8 from 1968. I think I prefer the rearview of this edition, as you get a great view of the model’s great tan lined arse.

Rochelle Lofting: Solo No.6 Cover (1958)


A restored cover of Solo No.6 (1958) by Harrison Marks featuring Rochelle Lofting. A rather seductive and teasing cover of Rochelle. I’m sure it tempted many to stop and flick through the delicious views inside.

I always thought Rochelle was rather underrated, as she had a great figure and bust that she willingly showed off during the late 1950s in various magazines ;)

Another Brush with Pat Davis


Another shot of Pat Davis by Harrison Marks posing on the loft set as she sits on a crate with an artist’s paint brush! This shot first appeared in Kamera No.23 P32 (1959), but this is from the original medium format negative in my collection.

A beautiful shot of Pat as she toys with that brush, and such a fabulous view of her figure. A glimpse of one of the first Kamera calendars in the background featuring Pamela Green as well.

Carol Haynes by Ken Williams

One of two shots of Carol Haynes by Ken Williams from Lenz No.3 and they are the only two shots of her I have! I know she appeared in several editions of Parade during the 1960s as well as the Whitestone publication No.75, Ken Williams London Figure Models. Anyone know if she appeared in any other major publications?

An Oiled Erica & The Phonograph (1959)

 
I know I may sound like a broken record (boom boom!), but I just love seeing Erica’s body, especially covered in oil! This slicked up shot of a glistening Erica posing with a phonograph on the loft set comes from Kamera No.20 (1959)

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