Marina Jones in the studio by Harrison Marks. A stunning long haired beauty with slender figure and small perky tits with nipples that seemed to be constantly hard! ;)
Pinky Sands: Living Room Beauty
The stunning blonde beauty known as Pinky Sands posing for Harrison Marks in the living room.
Beautiful figure with long legs and small pert tits and the house and location were used on several occasions by GHM. Gerry Brown posed here for the glamour film ‘Jigsaw’ along with another unknown model. :)
Lydia’s Libidinous Look!
This silver gelatin photograph of Lydia Barton by Harrison Marks shows a different side to the one we see of her in early editions of Kamera in the late 1950s. The early shots of Lydia are very glamour/cheesecake in style, whereas this shot is slightly more risqué in its style and her pose. Here we see her posing in the more familiar stockings and suspenders, with sheer black panties just giving you the slightest glimpse of her pussy beneath. She’s looking directly at you as she smokes, and the legs are apart and towards the camera, which is a much more suggestive pose.
I would also say that this was a later shot of Lydia than the others, probably early 1960s, but just a guess as she looks slightly older, and her figure looks rounder in this shot. Either way, I kind of like this look from her, as she looks game for anything in this shot! Libidinous, for those that don’t know means full of desire or lustful.
Worth a Look!
Louise Worth by Harrison Marks posing nude on a big round seating area on the Hollywood set.
Taken in the mid 1960s at Lily Place studio’s a great colour image of Louise showing off her body with two of the best bodies either side of her. They are of course sketches of two of the most famous GHM models, Pamela Green and June Palmer, but which is which?
Pamela in Print
An early shot of Pamela Green from a set of silver gelatin prints from the 1950s. Taken in 1957 by Harrison Marks, this shot shows off Pam’s great body and her short dark hair. The signature long blonde hair was to come later, but I do like the short look. A great profile shot of her face as she looks down with great lighting as usual.
A fuller length version of this shot went on to appear in the first edition of Kamera P26 (1957).









