Dedicated to the published work of Harrison Marks & other prominent photographers of the 1950's, 60's and early 70's. Along with popular glamour models such as June Palmer, Pamela Green, Dawn Grayson and others
A perfectly presented shot of Jennifer Garland and her big bosom by Harrison Marks. Looking through other shots of her, it seems that she used position and angle towards the camera to show off her tits in the best light, not that she needed to do so! And there’s that well-used sheepskin rug again 🙂
Another shot of Merle Henry by Harrison Marks posing in his living room. A beautiful pose from her as she looks off to one side, but giving us a full view of her body as a ceramic cat looks on!
Also, another classic time piece on the wall in the background showing it was 12:35, but was it just past midday or midnight ;)
Louise Worth sat posing on a four-poster bed from Kamera No.80 cover (1967) by Harrison Marks. The four-poster bed was actually in a bedroom at Ewhurst Manor. It seems to appear in other shoots, including a set featuring Margaret Nolan and others. :)
The platinum blonde Annette Johnson posing by the fireplace. Taken by Harrison Marks on the Cinderella set, this is actually a pretty good shot of Annette showing off her slender figure. I much prefer her during this stage of her career with long blonde hair. :)
Over the last few months, as well as continuing to edit my vast archive, I’ve also been playing around with colouring some of my original images. In the past I’ve avoided this as I’ve seen various attempts to do this with varying degrees of success. Most are either too skin toned in colour or end up having a painted effect and losing the details.
So after many years of using various tools to edit photo’s I gave it a go! The aim being to create a coloured version that looks as though it was originally taken in colour without losing the details. The above shot of Tina Graham is one of my better attempts, as for every successful coloured version (In my view!) I had about 8 failed versions. Some photos lend themselves to colour, whereas others have too much going on to get the colouring looking right.
I know some of you out there hate the idea of originals being coloured, and I totally get that. This is more of an experiment to see how close I can get to an authentic colour version. I have a small gallery of different models I’ve tried, and I sneaked a few onto the site in the last few weeks (guess which ones?)
So, what do you think? Success or fail, good or bad, and want more?
The fabulous Teri Martine kneeling on the cliff top overlooking Bedruthan beach, Cornwall. Another shot taken by Harrison Marks on his famous or infamous 1966 trip to the area. This shot didn’t appear in Kamera on Location 66, so not sure where it was published?
I Love this kneeling pose from Teri as she looks off to one side giving a great view of her body, tits and rounded arse :)
Time for a new film and this time an early Harrison Marks film featuring Rona Scott in Cat’s Cradle.
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At just under 4 minutes, Cat’s Cradle isn’t very long, but is very simple in that it features Rona on the Loft Set doing a strip before going to bed, before being further interrupted by a cat. Very much an early striptease and titillation 8 mm film, but you do get to see glimpses of Rona’s fabulous body as she strips and those magnificent tits! This was the second film published by Harrison Marks under the Kamera Cine Films label and as titled HM.002 Cat’s Cradle.
Members can enjoy the film here :)
Taken by Harrison Marks in the late 1950s, is this not the perfect body? :)
A topless view of Thelma from Kamera No.11 P19 (1958). Taken in what appears to be in the living room of GHM’s flat, as we can see that familiar diamond wallpaper and horse picture in the background.
Rita Landre (Pamela Green) posing on the Parisian Alley Set by Harrison Marks. I’ve published several shots of Pam as Rita in this location here, but think it is a great shot of her in the pink corset and fishnets.
This shot is even better as it’s in colour, so you get to see Rita/Pam in vivid colour.
The Kamera Club 