Dedicated to the published work of Harrison Marks & other prominent photographers of the 1950's, 60's and early 70's. Along with popular glamour models such as June Palmer, Pamela Green, Dawn Grayson and others
A very colourful set of pillows/cushions they are as well, all aligned like that for her to kneel on! But enough about them and more about the stunning form of June in this shot and her own fine set of pillows :) Scanned and restored from one of my own 35mm slides, the colours in this shot, both from the background and cushions really work well against June’s naked body.
Two shots from a set of 35 mm negatives featuring June Palmer in the Alleyway, wearing a leotard. I originally published these separately several years ago, but these are better copies.
I love the pose from June in the leotard as she leans against the alley wall, with a buxom bosom showing, but I’m also sadly intrigued by the location and where this was taken. I wonder if it was taken near Strobe studio’s in Clapham and as you look back up through the alley you see a woman walking past what I think is a sign for Midland Bank?
The cover of Kamera No.77 featuring the elegant curves of June Palmer. Photographed by Harrison Marks looking very regal on the Chinese Garden Set.
Another shot of June from the ‘Little White Number‘ set of 35mm images. This one is a little out of order from the others, as it’s jumped to June kneeling, with the little white number pushed between her thighs! Restored the best I could, but the highlights on her face were too blown out to recover.
I have thousands of June Palmer photos from the 1950s to the 70s, including early Spick & Span images and those by Harrison Marks and Arthur Howell. Less common are her 1980s photos, just before she stopped modelling. Luckily, some exist, and below is the last professionally posed photo of June Palmer.
This was the last image on the last film shot on 23rd November 1987 at a studio in Chelmsford around 1 pm. It was taken by John W., who had previously provided original June content for this site, and took the shot himself. John started photographing June at Arthur Howell’s Strobe Studios in South London, which were advertised in the Amateur Photographer. He also hired June for private sessions, which cost £40 for 2 hours, and continued to work with her after Strobe closed. After taking the last shot in Chelmsford, June mentioned she was going on holiday to the Bahamas and would show him her tan when she returned. She later wrote to him about getting married again and giving up modelling, making this the last professionally shot photo of June Palmer.
Two studio shots of a maturing June Palmer from the 1970s. Her figure looks as fabulous as ever, even if starting to slightly round out, which isn’t a bad thing. Plus a great view of her round tits and natural bush.
You can’t beat the classic poses of June during her early career, but these later shots still have their place and show you that she still had considerable sex appeal even in her later career :)
From the same set of negatives as ‘June’s Little White Number‘ comes another set of June taken at the same time, but this time capturing June posing nude against a black background. Another superb set of 18 images of Just June naked, what more could you want?
The start of yet another fantastic set of images of June Palmer from the 1960s, posing in a little white baby-doll négligée in the studio. This is a full set of 36 images from a complete 35 mm film, ranging from fully dressed to completely naked, with various stages of undress in between! These first two show June posing still covered by the négligée, but that doesn’t last long!
The stunning June Palmer by Stefan Glass and shot is part of the huge Stefan Glass Set. It’s also a slightly cropped version, but I’ve only removed some side to this shot so you can focus on the main subject, June’s young naked body!
A wonderful shot of her sat on the sofa, posing as she examines a pot of thistles!
A 35 mm negative scan of June Palmer from a 1973 studio shoot. The colours were pretty faded, so rather than just converting to black and white, I left a blue hue to it. It seems to work pretty well and love how June is laying there looking up at the camera.
The Kamera Club 