Another stunning shot of Nancy Roberts posing on a beach with only a sun hat for shade. It comes from a set of photographic glass plates taken in September 1959 at the beach near Sheplegh Court, Devon. What a great view of her figure as she stands fully naked with just a hint of smooth pussy showing. This was taken by Leslie Bainbridge.
Super Smooth Sue!
Sue Roberts by Leslie Bainbridge in a typical pose and style from him. Sue seemed to offer a variety of differing styles for different photographers over her career. She posed for Harrison Marks and performed in several of his later glamour films such as Cous-Cous and Tutti Fruity. She also seems to have posed for Bainbridge and others in a more naturist role as I have various images of her by Bainbridge and several contact sheets of her at Naturist Clubs. A very versatile model you could say. :)
A great view of her figure in this 10 by 8 print including a very smooth pussy and one of the few shots of her with longer hair. Although I’m not 100% it’s not a wig of extension?
Super Smooth Sue!
A super smooth view of UK model Sue Roberts by Leslie Bainbridge in a familiar setting and kneeling on a sheepskin rug. Sue certainly got around in the late 1960s and 70s as I have images of her posing for Harrison Marks, Leslie Bainbridge and several others, plus working for several of the studio’s in London such as Norland Astoria Studio for amateur photographers. She also appears in several naturist magazines, including this shot by Leslie Bainbridge.
A perfect shot of Sue showing off her body to the camera, including her small tits and super smooth pussy. Another typical Bainbridge shot :)
A Fireplace Fancy By Leslie Bainbridge
Another shot by Leslie Bainbridge, but this time an unknown perky blonde model posing by the fireplace. This comes from a set of 60 images of this young model posing in various locations around a house, including the leather armchair in the background. This fireplace and the armchair seem to be stand props for Bainbridge, as several of his models from sets I have posed in front of the fireplace and on the chair in different poses.
A very classical late 1960s model with a great figure, perky little tits and great arse all on view, and it would be nice to know who she was?
Is It Patsy or Pam?



So an interesting one that I stumbled across by accident and one I’ve not been sure about until now. Above shots of what I thought were three different models from different photographers. The first is Patsy Henlow taken by Terry Sparks, the second shot is Pam Hornby by Leslie Bainbridge and the third is Patsy Banks. Taken in isolation, I’d have said they were different models, but on closer look together they seem to be the same model.
As Patsy, she poses for Terry in various locations around a house, fully naked and showing off a very nice hairy pussy. As Pam, she poses for Bainbridge both outside and indoors, but this time with a completely shaven and smooth pussy. Now, why is it the same model? Well the body shape and tits are the same, but as a reference point and one that appears in nearly all shots of her as Patsy or Pam, the Opal type ring on her right hand. So Patsy is Pam or vice versa, as I have no idea which name is real if either. I’d guess that Terry’s shots were slightly earlier than those of Bainbridge, so I’d say late 60s for Terry and early 70s for Bainbridge, but I could be wrong.
As we know many models back then posed under different names throughout their career’s and Patsy/Pam is just another to that list, but one I enjoy under both names :)
June on Glass – Box 1, Plate No.13
A glass photographic plate of June Palmer taken by Leslie Bainbridge in the studio (12th August 1960).
This shot has June laying against some pillows, one knee raised as she rests an arm on the knee. A beautiful view of June’s young full figure as she looks at the camera and casting a shadow behind her. Unfortunately there is a shadow on the left-hand side and in other shots I wasn’t sure if that was in the studio at the time or on the glass plate itself. This shot seems to show that it was a shadow in the studio as it curves in the bottom left of the shot.








