A serious pose from Margaret Nolan as she poses beside the fireplace. We still get a great view of her body and her slightly stubbly look down below, but those bloody flowers got in the way in this shot!
Eva Nieman: Facing Forward
A restored 35 mm colour slide from 1960 featuring Eva Nieman. Kneeling nude and facing the camera, we get a great view of her tits and hard nipples as she leans slightly forward. Again, she seems to favour a headband keeping her long blond hair out of her face as she poses. I also notice a wedding ring, so maybe just another housewife earning a little extra back then? :)
All There With Doreen Pierre!
I’ve published several colour shots of a rather revealing Doreen Pierre before here, but never realized that she actually posed for Harrison Marks and appeared in Kamera. The above shot is one of her from a studio session with Marks, and 6 shots of her including this shot on page 40 appear in Kamera No.71 (1966). Unlike the more revealing colour shots I’ve published, this shot although uncensored shows a very neat, tidy and shaven Doreen down below, making it ever so easy for the retouchers when editing this shot for publication back then.
Angela’s Areola
Angela Jones from an original 35 mm colour slide from a private collection taken of her in front of those blinds with the Yellow Chrysanthemum. As discussed before, by the looks of it a bit later in her modelling career, where she has a fuller figure and her tits seem slightly larger and have more droop to them? I do love her bigger, darker areola than in her earlier shots. I’m not 100% sure on it being Angela due to the body changes, but facially it sure looks like her? And who says as models mature, they don’t get sexier. :)
Some Fresh Air with Christine
Tina Graham/Christine Carter taken by Harrison Marks on location. This time a lighter haired version that she seemed to prefer as her career progressed.
Cracking view as she poses by the tree, and I think the location was Cornwall, but not 100% sure. There are other images from this set of Christine in Kamera No.48 with an old tin mine in the background, hence the assumption of Cornwall.









