Another shot of Elaine Collins (Georgia Jackson) by Howard Roark from the 1970s. This shot of Elaine came from a set of 120 images from several original Howard Roark contact sheets. A much more explicit and open shot from Elaine this time, kneeling with legs open showing much more than just her big tits, but also a dark thick bushy pussy and more. ;)
Pure Pamela Perfection
The iconic Pamela Green by Harrison Marks, wearing a long fur lined cloak, open just enough to reveal what lies beneath. One of my top 10 images of Pam and this shot in a cropped version also appears in the Nostalgia Publications magazine “Just Pamela Green”.
I have to say I prefer this full length version better, and it comes direct from the negative. Pam was also posing on the Dungeon set, which was used in various shoots, including Witches Brew.
A Perky Trio from Terry
After a hiatus away from the site, Terry Sparks returns with this trio of beauties from his collection. These three topless beauties are Carolyn Braine, Jackie Lippiatt and Alison Farage, taken in the late 1970s. Jackie I’ve posted a couple of photos from Terry before, and I have several contact sheets of Carolyn. As for Alison, I don’t have any of her in my archive, but she sure looks familiar?
Thanks as always to Terry for another of his original photos, and glad to have you back contributing to the site. :)
The Amorous Masseur
Another still of Eva Nieman from the set of the Harrison Marks glamour film ‘The Amorous Masseur’ distributed by Maximus films. The 9-minute film features Eva and a male enjoying a massage at a sauna and at Eva’s home, although the massage tends to be very one-sided! Towards the end of the film things get very amorous, but nothing too risqué in this film, although Eva doesn’t really look like she’s enjoying things, simulated or not!
This film shouldn’t be confused with the similar title ‘The Amorous Masseuse’ featuring Toni Lee and Yvonne Paul, which was an all female affair.
Wanda Liddell – All That Shines!
Wanda Liddell from a restored 35mm colour slide and part of a small set I have of Wanda on this very shiny set!
Lots going on in this shot of Wanda from her wig to the black PVC outfit and pink contrasting négligée, or you may be distracted by her figure, thick pussy or silver background, but all with a great smile. What I noticed in this shot and others is she also had a nasty scar going down from her belly button stopping just above her pubic area, with it more noticeable in some shots?
Mrs E – Another Bushy Beauty!


Another submission to the readers wives section, this time from one of my members of his fabulous other half. Taken back in the 1960s of her displaying a nice firm pair of small tits, a nice set of curves and a thick full bush! A big thanks as always to those that send these stunning submissions in for all of us to enjoy! :)
A More Revealing Yvette
This is Yvette Windsor by Leslie Bainbridge looking very delicious kneeling nude outdoors. I’ve posted one of Yvette before here, from a set of 35 mm colour slides. They were only topless poses, whereas this shot is much more revealing of Yvette.
As per usual, Bainbridge has managed to persuade Yvette to pose totally nude, revealing her great tits and smooth pussy. So another UK model that posed for several photographers but seems to have gone that little further for Bainbridge. And it’s definitely Yvette, as I managed to match up the moles just to the side of her tummy button in this shot and some 35 mm slides. :)
Kathy – Good Girl Gone Bad!
I have several sets of different models from the 1970s by Edmund Leja, Larry Caye and others that show sweet looking girls posing demurely dressed or topless at the start of the sets. But as the sets progress, it’s obvious these sweet young things aren’t as innocent as they look! So I thought I’d start a few posts of these sets entitle ‘Good Girls Gone Bad’ highlighting both the good and bad side of these girls!
First up is Kathy Willings by Edmund Leja, who looks very sweet and innocent in the first image, but soon shows her true colours and much more for the camera towards the end of the set.








