A is for Ann


As in Ann Day, who posed for Harrison Marks in the later editions of Kamera.  A big busty girl with a rounder figure than others, but equally enthralling, who appeared on the cover and in Kamera No.87 (1968).

Margaret Nolan in Lights!

Three stunning shots of Margaret Nolan posing nude and being cleverly lit by lighting from the right side.  I particularly love the top shot and the effect the lighting gives on her side profile, highlighting her face and the curve of her breasts. Not sure where these were originally published?

Xmas Cracker – Dawn Grayson (2)

A wonderful festive shot of Dawn Grayson as today’s Xmas Cracker, posing on the festive set again and looking as stunning as ever as she poses with the familiar fur coat.  This comes from the Kamera Winter Special (1967)

Xmas Cracker – Unknown But Familiar Props!


An unknown Xmas Cracker today on the familiar festive set, but using a whole host of familiar props and outfits!  The broom was used by many models including Pamela Green as Rita Landre on ‘Witches Brew’ and Sophia Dawn and Dawn Grayson on the Cinderella set, for want of a better description of the set.  The fur coat was again modelled by Pamela Green to great effect on the Witches Coven Set. 


The model looks familiar, but not one I can immediately put a name to, any ideas?

Luscious Lynn

The very luscious Lynn Shaw posing beautifully in front of some venetian blinds!  Another favourite of mine from the 1950’s with a curvy body that she just knew how to pose to get maximum response :)

A Golden View of Marie Deveraux

Looking at the sheen all over the body of Marie Deveraux and blonde wig I would say she was covered in body paint, but I could be wrong!  It just reminds me of another Harrison Marks model Margaret Nolan posing for the credits in Goldfinger :)

Tina Madison at Ewhurst

A nude Tina Madison posing at Ewhurst Manor in a drawing/reception room. 

I believe this room is directly to the right as you come in through the front door and look up the stairs.  The room itself isn’t very wide and consists of a fireplace (which you can just see), with windows and a high backed bench either side of it.  This room can be clearly seen at the end of the glamour film ‘Flesh & Fantasie’ (Nightmare at Elm Manor) when June Palmer is leaving the manor and enters this room to see people sat either side on the benches and a ghoul faced Stuart Samuels.

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