Georgina: A Perky Peak!


Georgina (Michele) sat atop a chest, showing off her stockinged legs. Just a hint of one small perky tit on view as well, but a very elegant view as the sunlight from the left hits her bottom. :)

Beryl Gilchrist: Music of The Gods!


Another shot that I again posted back in 2014 from the published version that appeared in Femme No.11 (1968) here, but now I have the original negative.

A beautiful shot of Beryl Gilchrist in high resolution and for members in its original medium format size. The clarity between the two shots is stunning, but no difference in the two versions censorship wise, as Beryl is posing with her leg cleverly placed to hide anything that may need to be retouched! The published version was more tightly cropped on Beryl than this, but I prefer to see more of the ornate surroundings and harp in my shot. Not that we shouldn’t be focussing on Beryl’s slender naked figure, as it is rather nice to look at. :)

Twice As Nice, Trudy!


Two shots of the shapely form of Trudy Eyre/Angela Duncan, taken by Terry Sparks.

Fabulous shots of her sat on the floor in an open red négligée, revealing her curves and those big, round tits! Taken on location at an unknown house in the living room on 18th November 1969. The colour shot is from a negative, the black and white version from a contact sheet.

All shots posted from this set, can be seen here

Lyn Hamilton: A Poised Pose!


Lyn Hamilton showing off her perfect figure in this restored silver gelatin print from the late 1950’s. A very classical nude pose as she kneels nude in the studio with her hands on her legs.

Suzette St. Clair Sets


Four different images of Suzette St. Clair by Terry Sparks, taken in different rooms of a house in 1972. I have multiple images from each set, all showing off Suzette in different rooms and items of clothing. I think my favourites and the denim shorts and her posing in the living room in the dark bodysuit.

Which set would you like to see next?

A Blue June


A 35 mm negative scan of June Palmer from a 1973 studio shoot. The colours were pretty faded, so rather than just converting to black and white, I left a blue hue to it. It seems to work pretty well and love how June is laying there looking up at the camera.

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