A Soaped Up Sissi!


Sissi Mississippi posing in the bath by Harrison Marks from a scan of an original negative.

Sissi, an Italian striptease artiste, arrived in London in May 1968 and the only photos of her that made it into Kamera were in an advert that appears on the inside back page of issue No.88. However, Harrison Marks did four still shoots with her which were featured in the final edition of Solo, No.61.

GHM also made three 8 mm glamour films with Sissi, the first an offbeat production called ‘The Lash’ (No.E22) filmed on a variation of the Pattern of Evil dungeon set and co-starring Danielle Denese (credited on the film box as Dania Danelle) as a fellow prisoner in a girl fight sequence over a crust of bread. The other two films star Sissi alone, one entitled simply ‘Sissi Mississippi’ (No.E23) in which she does her striptease routine, and the other, No.E26, ‘Bubbles & Beauty’, which was filmed in the bathroom and with Sissi in the bath at HM’s flat and the above shot is obviously a still from that production.

A fabulous bubbly shot of Sissi in the bath and even all those bubbles couldn’t hide her dark thick luscious bush!

Naughty Neva


Neva in the doorway of the Lantern Cottage set taken by Harrison Marks in 1966. A stunning dusky woman from Trinidad not blessed with the largest of chests, but more than makes up for it with her thick dark bush.

Rita Landre: A Femme Fatale!

Rita Landre (Pamela Green) posing on the Parisian Alley Set by Harrison Marks. I’ve published several shots of Pam as Rita in this location here and think it is one of my favourite sets of her as Rita. She definitely comes across as a bit of a femme fatale in these shots and could almost certainly lead you down a dark path of desire!

 

Jennifer Garland Proudly Presents …

A very nice pair of plumped up tits from a scan of an original Pamar colour slide by Harrison Marks. Not that Jennifer needed to plump up that fine chest, as they looked like an impressive firm round pair without any assistance. :)

June Simpson By Window Light

A very elegant pose of June Simpson in the 1950s by Harrison Marks. Taken in one of the bedrooms in his flat, a simple shot using the natural light from the window to highlight the profile features and figure of June. As she poses kneeling on the bed, as a ceramic cat looks on! A simply stunning view.

A More Rounded Suzi Shaw


The well-rounded figure of Suzi Shaw in the studio by Harrison Marks. I have several images of Suzi and her curvy figure and large round tits, but this is the first shot where you really see the fact she also seemed to have a nice hairy pussy down below as well. One of those models that didn’t show it off that often, but nice to see a hint of it in this shot.

Julie Collins – Full of Bounce!

A big and bouncy view of a very happy and delicious looking Julie Collins by Harrison Marks. Julie was a later model for Harrison Marks, appearing from the mid 1960s onwards with this shot taken on the Lantern Cottage set with her sat in a multicoloured deckchair showing off her ample assets!
Julie was a fully natural model and I just love her big tan lined tits and great figure :)

The Fruity Sue Roberts!


A production still of Sue Roberts on the set of the Harrison Marks film ‘Tutti Fruity’ by Maximus International Ltd and was a continental style film, so unretouched. I have several stills from this film of Sue and in them, she is in various stages of undress and playing with fruit, hence the film name.

I love this shot of her posing in just an apron with one of her small pert tits popping out the side, as she chews on an apple!

A Sultry Sue Chester


A sultry looking Sue Chester kneeling on the sofa topless in black panties and stockings from an original negative scan. A stunning view of Sue and her perky pair, but not by Harrison Marks, as all Harrison Marks’ photographs of Sue were taken in one shoot on the Toulouse-Lautrec set of his feature film ‘The Naked World of Harrison Marks’ in the winter of 1965. The photographs of her that he published can be found in Kamera No.71 (13 including the cover) & No.76 with a further two in Femme No.11.

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