Julie Collins – Full of Bounce!

A big and bouncy view of a very happy and delicious looking Julie Collins by Harrison Marks. Julie was a later model for Harrison Marks, appearing from the mid 1960s onwards with this shot taken on the Lantern Cottage set with her sat in a multicoloured deckchair showing off her ample assets!
Julie was a fully natural model and I just love her big tan lined tits and great figure :)

The Fruity Sue Roberts!


A production still of Sue Roberts on the set of the Harrison Marks film ‘Tutti Fruity’ by Maximus International Ltd and was a continental style film, so unretouched. I have several stills from this film of Sue and in them, she is in various stages of undress and playing with fruit, hence the film name.

I love this shot of her posing in just an apron with one of her small pert tits popping out the side, as she chews on an apple!

A Sultry Sue Chester


A sultry looking Sue Chester kneeling on the sofa topless in black panties and stockings from an original negative scan. A stunning view of Sue and her perky pair, but not by Harrison Marks, as all Harrison Marks’ photographs of Sue were taken in one shoot on the Toulouse-Lautrec set of his feature film ‘The Naked World of Harrison Marks’ in the winter of 1965. The photographs of her that he published can be found in Kamera No.71 (13 including the cover) & No.76 with a further two in Femme No.11.

The Innocence of Peta Gareth!


Peta Gareth (Karen Townsend) from an original negative taken by Harrison Marks. Another sweet looking shot from Peta as she sits there posing cross-legged on the sofa, but we know from previous posts of her that looks can be deceptive, and she wasn’t as sweet and innocent as she looked! Sweet on the outside, bad on the inside. ;)

Bea Bea Chu-Chu – Where Is The Hair!


An image of Bea Bea Chu-Chu in the studio by Harrison Marks and from an original negative. Interestingly, I first thought this was a retouched or censored shot, but as it’s straight from the untouched negative, maybe not? The reason for the question was that in all her other shots she is showing off her very natural dark pussy, whereas here it seems to have gone?

After careful study, I’m still not sure what has happened, you can clearly see hair, but not to the extent of her other shots and it seems almost white? Possibly they powdered it with makeup or something, god knows why, or maybe they did something to the area in developing the negative? It certainly looks different that’s for sure, but Bea Bea sure does have a fabulous curvy figure and big round tits, all that distract you nicely. :)

Vanda Hudson – Elegance on Red! (1959)


Vanda Hudson taken by Harrison Marks from a set of Pamar Colour Slides (1959), of which this is a scan of one of the slide. Nothing risqué about this shot, other than a flash of cleavage through the opening of her white outfit, plus a hint of nipple through the material. It’s still a very elegant shot of Vanda in the studio with the vivid red background.

Erica – Showing A Little Extra!

In all the many shots that I have published of Erica by Harrison Marks, nearly all of them have been retouched, or she has posed in such a way as to not show anything down below! There are very few uncensored shots of her showing her smooth pussy, but this shot seems to be as close as it gets so far!

A beautiful shot of Erica dropping her gown and revealing her curvaceous body and large perfect tits, which always seems to be the focus of attention. But this time we get to see a little more, with her smooth pussy and a hint of her Labia on view as well!

Peta Gareth – The Girl Upstairs


Peta Gareth (Karen Townsend) taking a shower from a still from the Harrison Marks film ‘The Girl Upstairs’. Peta doesn’t seem to have appeared in any of the standard Harrison Marks publications, but did appear as Karen Townsend in Mayfair Vol.6 No.12 (December 1971) and Whitehouse No.6.

What is certain is that she did a number of adult films for Harrison Marks in the late 1960s and 70s. These included Lorita on a Summer Night (1973), The Girl Upstairs, The Swingers, The Barn Orgy, A Night at the Bistro Bordello and Zum Knutschkeller. The last being the German hardcore version of A Night at the Bistro Bordello, which also included an appearance by Ava Cadell. What all of these films do show is that Peta wasn’t a shy girl and was happy to perform in front of the camera and do full hardcore scenes, leaving nothing to the imagination!

Angela Duncan – Three Can Play!


The fabulous figure of Angela Duncan (Trudi Eyre) posing naked within the branches of a willow tree! This comes from a set of original negatives sent over by Ray, with all shots taken by Harrison Marks in the grounds of Ewhurst Manor. They were also taken at the same time as the glamour film ‘3 Can Play’ which featured Angela under the name Liza Shannon, along with another model Vivienne.

I did wonder if Liza was Angela’s real name, as she seemed to model under so many ones. But thanks to a member who knew her, her real name is in fact Trudi Eyre, which I think I remember Terry Sparks telling me as well. As this member reminisces.

‘I will always recognize Trudi as she was the first woman that I ever woke up with when Trudi was a student of French at Regent Street Polytechnic in 1968, and I was a fellow student. I later spent the night with her at her mother’s home in Tunbridge Wells. The last time I encountered Trudi was in 1969 when she had moved to a flat in East Grinstead, so she could be closer to Saint Hill. Just after, she had sent a letter to her mother informing her that she was getting money as a ‘non-fashion model’. I took several photos of Trudi. Sadly, she was wearing clothes in all of them.’

A fabulous story from someone that knew Trudi and was very lucky indeed to get so close to her, even with her clothes on! Suffice to say I prefer her without her clothes as in the above shot, so we get to enjoy that full curvy figure, those big round tits and her thick lush hairy pussy at its best!

Poster Girl Mary Deighan


A beautiful rearview of Mary Deighan by Harrison Marks posing in the studio in front of a wall covered with Bill Posters from the Theatre in the 1960s. Superbly arranged shot, including the very nice rearview of Mary in stockings.

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