Art For Art’s Sake (Video)

I thought it was about time I posted another video, so why not start at the beginning with the first Harrison Marks Kamera Cine Film. This film is Kamera Cine Film No.1 titled ‘Art For Art’s Sake’, made in 1959 and published in February 1960 in black and white it was 50ft long (2:30 minutes) and available in both 8mm and 16mm formats.  Filmed at the Gerrard Street studio it features Jean Spaul and Pamela Green and the original synopsis states – ‘Lovely Jean Spaul decides to become an artist and as her model she engages beautiful Pamela Green; anything can happen with these two together.’

The film is missing the opening credits, but is complete apart from that and is very good quality considering it’s age, but no sound on this one as I haven’t had time to add any. I’ll leave you to add your own sound effects. A great glamour film from GHM featuring Pamela Green, so enjoy!

*This film is copyright George Harrison Marks Enterprises Limited

A Flash From Erica!


I thought I’d continue with the theme of today with this colourful shot of the Erica flashing her big tits for us. A cracking quality shot from an original Pamar 35 mm slide in vibrant colours, which show off Erica’s magnificent mammaries to good effect.  Shot on the loft set, I also love the sheer blue blouse she is pulling open to expose herself. Perfect shot, and thanks as always to Kevin for allowing me to share.

Ann Austin – For The Record! (1965)

A rather ravishing Ann Austin posing with a gramophone and records on the loft set from Kamera Special No.5 (1965). Not too sure about the dodgy French looking bloke in the background or what he’s even doing in the shot?  That also looks like the Parisian Alley set in the background as well? A complete mixture of sets and props in this shot, but none distract for Ann’s Assets!

Elaine Desmond Uncensored & Retouched (1963)

I always find it fascinating when I come across an image of a model published in Kamera and have a copy of the original to compare it with.  The above two shots are a good example of Elaine Desmond published in Kamera No.51 (1963).  
The first shot is the original uncensored shot of Elaine showing us everything, including her smooth fully shaven mons pubis area. The second is the same shot, but published in Kamera after the retoucher has got hold of it to get it past the censors! If we ignore the quality difference between the two shots I still know which one I prefer. Although back when this was published, something was better than nothing in terms of titillation! Two great shots of Elaine which ever version you prefer.

An Oiled Up Erica

An oiled up Erica from Femme No.11 (1968), but a much earlier shot than the publication date suggests. Taken on the loft set and one can only marvel at the thought of seeing Erica’s fine figure glistening with oil!

Maxine & The Look! (1960)

Maxine (Maxine Ellis or Elaine Ecke take your pick!) from Kamera No.28 (1960) on the loft set by Harrison Marks. Leaning back in that long black negligee as it opens exposing her voluptuous body, she has a look on her face that says she knows what your looking at! Very true, but there is so much to look at one doesn’t know where to start or stop.

Paula Page – In The Valley of Shadows! (Updated)

A shot of Paula Page on the Loft set by Harrison Marks, highlighting her fabulous figure and huge tits with the clever use of light and shadow. Her boobs were so big they cast rather a big shadow :)

Update: I’ve replace the original image that was a scan from ‘Just Paula Page’ to include an original scan from the negative sent to me by Kevin.

Maxine in The Loft

The second colour shot of Maxine from the centre pages of Kamera No.28 (1960) taken by GHM on the loft set, this time without the floral negligee!

Pamela Green – Kamera Calendar, January 1960

As discussed in this post I now own an almost immaculate copy of the the 1960 Kamera Calendar and I’ve decided to re-post the 1960 calendar month by month with my own scans. Above is Pamela Green posing for January and I did very little to the scan other than some minor spots from the scanner and a slight colour adjustment.  The original scan was twice the size of this image and as clear as ever.

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