Dedicated to the published work of Harrison Marks & other prominent photographers of the 1950's, 60's and early 70's. Along with popular glamour models such as June Palmer, Pamela Green, Dawn Grayson and others
Another simple but stunning shot of a nude June Palmer posing in a doorway for Stefan Glass. This shot is part of the huge Stefan Glass Set, but is a smaller sub set of shots of June posing in this doorway and on the stairs!
Velma Loftus exposing her beautiful body on the cottage kitchen set. Taken by Harrison Marks in 1967 Velma was one of his later models that had a lush thick bush on view in many of her shots. This is a fine example of her showing off that lovely pussy and slender figure, as she leans back with her top open.
A stunning shot of June Palmer posing nude and oiled on the rocks! Taken by Arthur Howell in some sunny location on holiday, with June looking like she’s tempted to take a dip in the sea to cool off. I know I need cooling off after seeing this view of June. :)
Another cracking view of a very happy and delicious looking Julie Collins by Harrison Marks. Julie was a later model for Harrison Marks, appearing from the mid 1960s onwards. This shot taken on the Lantern Cottage set with her sat in a multicoloured deckchair showing off her ample assets!
Julie also posed for Terry Sparks, and I’ve published several shots of her by him. She was a fully natural model and I just love her big tits and great figure.
Members can view and download a larger image here
I originally posted a cropped version of this image I found here, but now I have a copy from the negative, so rather than replace it I thought I’d just post a high definition version as well. There’s no comparison really between the two, as you get so much more detail and clarity of Sylvia in this shot than the other, and that can’t be a bad thing! A wider crop of Sylvia in Harrison Mark’s 1970 Maximus International film ‘Cous-Cous’, where she starred as a slave in a harem.
Sylvia posed for Terry Sparks, but he knew her under her real name Lucienne Camille, which she also used to model under. So many modelling names, why couldn’t they just have stuck to one, but then even if the name changes the body certainly doesn’t!
Members can download a full copy of this image and others in the Sylvia Bayo Model Gallery
Velma Loftus exposing her beautiful body on the cottage kitchen set. Taken by Harrison Marks in 1967 Velma was one of his later models that had a lush thick bush on view in many of her shots. This is a fine example of her showing off that lovely pussy and slender figure, along with her hairy armpits, so a truly natural girl! :)
A beautiful model posing next to a studio lamp, taken by Harrison Marks from an original medium format negative. A model with a great slender figure and tidy smooth mound for all to enjoy.
This lovely model is Cheri Swift, later Cheri Chiranti. She was described as being from Sutton, in Surrey, but with French roots. She had appeared in the 1950s versions of Fiesta and Carnival, as well as PEP, Toco magazines, and Pin-Up. Furthermore, she did full nude work like the picture above, for magazines such as Charm, and Art Advertiser.
Her credited photographers included Maurice Fleisher, L.G. Barton, and A. Williams.
A stunning shot of an unknown ebony model by Harrison Marks. What a fabulous curvy figure she has as she leans forward for the camera and one of the few ebony models that GHM used in the 1960s along with Sylvia Bayo, Veronica Diemen and a few others. :)
Although this is a scan direct from the negative, the actual image appeared in Kamera No.47 P10 (1963). There were also 3 other images of this model published in the same edition, of which I have 1 other negative.
Jutka Goz by Harrison Marks originally published in Kamera No.70 P33 (1966), but this is a direct scan of the original negative. Two things you can almost guarantee with Jutka when posing for GHM, she’s always got a big smile and her fabulous nipples always seem to be hard. Both on show in this cracking shot.
A very similar version of this image appears on the cover of Kamera Special No.5, but in colour and reversed.
The Kamera Club 